You might have heard of the three song rule - "First three songs, no flash!"
But what does this rule really mean? Where did it originate, and how can you, as a concert photographer, make the most of your time in the photo pit while ensuring a smooth experience for everyone involved?
Background
The exact origins of the “Three Songs Rule” are a bit unclear, but it probably has its roots in the 1980s, particularly with bands performing in New York, with Bruce Springsteen often credited as a catalyst for its creation.
In those days, especially at large venues like Madison Square Garden, photo passes were given out liberally, often to paparazzi photographers who didn’t necessarily know how to shoot concerts properly. Many relied on flashes to capture their shots, and some were more interested in the thrill of being at the concert than in their photographic skills. With film cameras, they were limited to just 36 shots per roll, and many didn’t even know how to change film mid-concert.
When Bruce Springsteen took the stage, he was often met with a barrage of flashes from up to 60 photographers. The overwhelming light was not only disruptive but blinding, and Springsteen famously walked off stage one night, insisting that something had to change.
To address the issue, someone proposed a solution: limit photographers to the first fifteen minutes of the show. With most rock songs averaging around five minutes, this quickly became the “First three songs, no flash!” rule. It provided a manageable window for photographers to capture their shots while allowing the performance to continue uninterrupted afterward.
This era coincided with the rise of MTV (originally an initialism of Music Television) and artists became increasingly image-conscious. They wanted to control even more how they were portrayed, ensuring they looked polished and perfect - much like how they appeared in their music videos. The Three Song Rule not only reduced disruption during the show but also helped artists maintain a certain level of control over their public image during live performances.
Today, the rule has become an industry standard, shaping concert photography for decades.
Guidelines
While the rule sounds straightforward, the reality is that every venue and every concert is different, and there are exceptions and modifications to these guidelines.
So when you go to a venue and pick up your passes they will probably tell you right then about the rules. If they don’t and you haven’t heard otherwise, I would just assume “1st 3, flash free”.
Your job as a photographer is important, but it doesn’t make the show go on!
As a photographer, you're always in the way of the performance - whether it's for the band, the audience, or the crew. No one is ever in your way (except maybe another photographer), so the key is to stay professional and adaptable.
Know the rules
When you pick up your photo pass, the staff may inform you of specific rules for the night. If they don't, assume it’s the standard "first three songs, no flash." Don’t wait to be told, and certainly don’t assume otherwise unless you’ve been informed of a special arrangement.
Stay professional
It's tempting to think you’re the star when you're in the pit, but remember, you're there to do a job. Be mindful of the other photographers and the crew. The pit can get crowded, and it's easy to step on toes (sometimes literally). If you find yourself fighting for space, be polite, and don’t let ego get in the way. This is especially important because you’re all working within the same limited time window.
Stage pit issues
You’ll run into common problems, like limited space, challenging lighting, and restrictions on movement. Keep calm and work around these obstacles. It’s part of the job!
Be respectful
Always respect the crew, the artists, and your fellow photographers. You’re there to capture the performance, not to be part of the spectacle.
Mind the time
When the third song ends, get out of the pit quickly and without causing disruption. Your time is up, and the show continues for everyone else.
Conclusion
By staying professional, respecting the rules, and being prepared for the inevitable challenges that come with concert photography, you'll not only get the shots you need but also ensure you're welcomed back for future gigs. Remember, each venue is different, and while the rules are a good guideline, flexibility and professionalism will carry you far in this field.
Check out the following photography informations too
➡️ 10 Basic music photography tips - Concert photography 101
➡️ The great stage pit etiquette guide for music photographers
➡️ Best earplugs for concerts, festivals, sporting & other loud events
Do you have any recommendations or personal guidelines that you find helpful?
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