Metering and Exposure

Metering & Exposure - Concert photography 101 - Part 2 by Andrew B. Powers

Neaera (Benny Hilleke, Tobias Buck, Sebastian Heldt, Benjamin Donath, Stefan Keller), German Melodic-Death-Metal/Metalcore-Band

In the first part of this series, I covered my basic four-step approach to determining exposure and also mentioned that I don't rely on in-camera light meters.

My four-step method is an excellent foundation for determining exposure in concert lighting. With practice, you can achieve accurate exposure even as light levels shift, without needing constant review and adjustment. Once you've mastered setting a baseline exposure, as explained in the previous article, you're ready to take your skills to the next level.

In this second installment, I'll share some other techniques that I use in addition to this feedback method.

These three approaches to metering and exposure for concert photography are designed to boost efficiency. With three-song limits becoming the norm, the more time you spend looking through the viewfinder rather than at the LCD, the better.

Please notice:

In addition, dealing with the least number of variables possible will help you with the next technique: memorization.

Facilitate

When I shoot, I strive to keep my exposure settings consistent across different lighting setups. More options don’t always lead to better decisions, and simplifying my approach allows me to focus on the shot itself rather than unnecessary adjustments. The fewer settings you need to adjust, the faster and more efficiently you can work.

By minimizing the amount of information you need to manage and narrowing your options, you achieve a level of simplicity while still retaining the flexibility of manual control.

Memorize

Just as music follows patterns, the design of concert lighting does as well. A lighting technician often revisits the same lighting scheme multiple times throughout a set, sometimes even several times within a single song.

One effective technique for improving your metering workflow in the stage pit is to develop the habit of memorizing the exposure settings.

As lighting settings repeat, having already memorized the exposure for a specific scheme will save you time and allow you to focus on capturing awesome photos rather than getting bogged down by a bunch camera settings.

Anticipate

Believe it or not, your eyes and brain can serve as highly capable and responsive judges of ambient light. Training them can significantly enhance your ability to achieve more accurate and consistent light metering.

In fact, the first step to internalizing light levels is something you’re likely already practicing in the stage pit and even before the show begins: Guessing!
The estimated of the lamount of light is already part of your feedback loop - so make it count and enhance your skills in making those estimations more and more accurate.

Final note

The goal of using these techniques is to reduce the steps between envisioning the shot and capturing it and allowing you to achieve optimal exposure with minimal effort - in a nutshell, this enables you to work as efficiently as possible. By combining all these tricks, you'll be able to adjust exposure on the fly and keeping the post-processing workload to a smal level.

Also check out

Do you have any recommendations or personal guidelines that you find helpful?

Please feel free to comment and share your thoughts on “Metering & Exposure - Concert photography 101 - Part 2”.


If you like my work or the free stuff and want to say thank you, please use this opportunity now and

 
Buy Me a Coffee at ko-fi.com
 

THANK YOU, very much! 🙏🏻


Metering & Exposure - Concert photography 101 - Part 1 by Andrew B. Powers

Singer and musician Joey Cape, also frontman of the California punk rock band Lagwagon.

Capturing the perfect exposure in concert photography is one of the biggest challenges, whether you're a novice or an experienced pro.

From the dim, moody lighting of intimate club gigs to the intense, blinding lights of arena shows - navigating these extremes requires skill and precision. However, finding the right exposure isn’t as difficult as it might seem.

Here’s my guide to determining the best exposure settings for concert photography

The following is my standard process for setting exposure, which I always perform in manual mode at the beginning of a set.

1.) Take a test shot

For this test frame, I'll estimate the exposure based on the venue's lighting conditions. Typically, I set the aperture around f/2.8 or f/3.2 and a shutter speed of 1/160, with ISO ranging between 1600 and 6400.

2.) Check histogram & image

That's right, chimp it up. In reviewing the above test frame, I'll look at both the histogram and overall rendition of the image. With the latter, it's important to use a camera with a fairly accurate LCD, otherwise one can be misled. I'll also review the areas of blown highlights to ensure that important details are intact in the subject.Of the four steps, this is both the most difficult and the most important. The good thing is, if you blow it, you've always got another shot.

3.) Refine & retry

Is the photo too bright or too dark? Return to step one and make adjustments as needed. Tweak the ISO, shutter speed, or aperture - whatever it takes. Once you've perfected it, move on to the final step.

4.) Set it up, relaxe

Once you've found the ideal exposure for the current lighting, use those settings as your reference and focus on capturing photos - there's no need to overthink the technical details anymore. From this point, it's best to adjust only one setting as needed. I primarily focus on adjusting the shutter speed, even during performances, unless the conditions have changed drastically.

If the lighting conditions change - they inevitably will - and you still feel uncertain about your settings, simply return to the first step and repeat the process from the beginning.

Please notice:

I didn't talk about the different in-camera exposure methods or any automatic mode for a reason.

Any experienced photographer will tell you that light meters can be unreliable; they are rarely 100% accurate for any scene or situation. Because the camera can never truly know which part of the composition is most important or where the exposure needs to be prioritized. This is especially true for concert photography, where lighting can be particularly difficult.

Final note

This four-step system offers a strong foundation for finding the correct exposure settings, even in challenging conditions like intense strobes, powerful spotlights and rapid shifts in the overall lighting design. In these cases, it's crucial to adjust the shutter speed very quickly to stay in sync with the changing light. However, with enough practice and experience, this will become second nature and shouldn’t be an issue.

In the next installment of this two-part series, I will delve deeper into the additional techniques that I use alongside this routine to ensure optimal exposure while photographing a concert.

Also check out

➡️ Metering & Exposure - Concert photography 101 - Part 2

Do you have any recommendations or personal guidelines that you find helpful?

Please feel free to comment and share your thoughts on “Metering & Exposure - Concert photography 101 - Part 1”.


If you like my work or the free stuff and want to say thank you, please use this opportunity now and

 
Buy Me a Coffee at ko-fi.com
 

THANK YOU, very much! 🙏🏻